Bringing out Haydn’s inventiveness in New York

By Edward Sava-Segal, 18 November 2018

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“wonderful examples of a truly enlightened craftmanship”

Reviewed at Lincoln Center: Alice Tully Hall, New York City on 15 November 2018

Haydn, The Creation (Die Schöpfung), Hob XXI:2

Les Arts Florissants

William Christie, Conductor

Sandrine Piau, Soprano

Hugo Hymas, Tenor

Alex Rosen, Bass

Les Arts Florissants play an abbreviated Christmas Oratorio in Paris

Simon Thompson, 13th December

Vigour and vibrato: Les Arts Florissant bring gallic refinement to Bach’s Christmas Oratorio at the Philharmonie de Paris.

****1

Gesualdo Passione with Les Arts Florissants

David Karlin, 16th October

Fusing the Renaissance polyphony of Les Arts Florissants with the contemporary dance of Compagnie Amala Dianor was an ambitious experiment, which displayed great virtues but didn't quite come off.

***11

Pop goes Purcell: Les Arts Flo serve up an intoxicating cocktail

Michelle Assay, 11th July

The Toronto Summer Music Festival opens with Les Arts Florissants’ enchanting performance of Purcell’s The Fairy Queen, featuring the singers of Le Jardin des voix and the dancers of Compagnie Käfig.

*****

Epiphany meditation from Paul Agnew and Les Arts Florissants

David Karlin, 5th January

In the intimate setting of Lauenen Church, Agnew and Les Arts Florissants introduce us to the austere sound world of Marc-Antoine Charpentier and other French composers of 17th-century sacred music.

***11

Handel's pastoral sings, dances and laughs at the Barbican

Roy Westbrook, 14th March

William Christie directs with all his customary close involvement, and profound belief in the work in hand.

****1

Les Arts Florissants dazzle in Handel’s Partenope in Lucerne

Laura Servidei, 3rd September

William Christie leads his legendary orchestra and a group of young singers in a successful performance of Handel’s semi-serious opera.

***11

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

The Creation: Les Arts Florissants bring out Haydn’s inventiveness in New York