The live-streamed production of Bertolt Brecht and Kurt Weill’s The Threepenny Opera sought to reinvent for online presentation but ended up uneven and overly busy.
Anthony Tudor and Merce Cunningham provided the lighter fare in a mixed bill that featured two world premieres from Kevin Iega Jeff, a veteran of the Chicago dance scene, and Julian Donahue, a newer voice.
In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Flora unites the Australian Ballet with Bangarra Dance Theatre in a glorious collaboration that traces loss, renewal, resilience, cultural continuity and enduring vitality of the body.
At Holland Dance Festival, La compagnie Hervé Koubi were put through their paces, showcasing a dizzying display of acrobatic abilities that would rival any act in a Cirque de Soleil show.
Amanda Keil is a native New Yorker who sings, teaches, writes about music and fundraises for the arts. Her broad musical interests have led her to perform music from ancient to modern times, and she is the founder of Musica Nuova, which stages Baroque songs in modern settings. She blogs at thousandfoldecho.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.