Hubbard Street

By Rachel Rizzuto, 21 May 2015

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Reviewed at Joyce Theater, New York City on 12 May 2015

Hubbard Street Dance Chicago

Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity

Maggie Foyer, 25th May

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

****1

Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet

Deborah Weiss, 23rd May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells

Jonathan Gray, 19th May

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

***11

Tap City at the Joyce Theater: an exercise in nostalgia

Ivy Lin, 19th May

A collection of tributes to former world class tap dancers alongside some new works that clearly thrilled the capacity audience at the Joyce Theater.

****1

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

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Rachel Rizzuto

Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.

Hubbard Street Dance: between too little and too much