Baroque at its best - Iestyn Davies and Richard Egarr at the Wigmore Hall

Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.

The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre. 

The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera. 

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.

A star-studded group of soloists and a wonderful choir make for an interesting, if not always convincing, interpretation of Bach's joyous oratorio.