Rutland Boughton's The Immortal Hour resurrected

By Andrew H. King, 13 August 2014

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Reviewed at Finborough Theatre, London on 11 August 2014

Boughton, The Immortal Hour

Tarquin Productions

Benji Sperring, Director

Thomas Sutcliffe, Tenor

Stiofán O'Doherty, Bass

Michelle Cornelius, Soprano

Werther oozes quiet despair in new Canadian Opera Company staging

John Gilks, 7th May

Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century.

***11

Rossini's Cenerentola proves great fun in Adelaide

Sandra Bowdler, 7th May

Neil Armfield's production for State Opera South Australia combines a sparkling night of entertainment with first class musical values.

****1

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

The early flowering of opera: a fragrant L’Orfeo at Schwetzingen

Mengguang Huang, 3rd May

Markus Bothe’s Botticelli-inspired production fuses tableau vivant aesthetics with Jörg Halubek’s surgical musical precision, offering a peerless, vivid tribute to the fragrant dawn of opera.

****1

Deep into the American psyche: Carlisle Floyd’s Of Mice and Men

Hilary Stroh, 1st May

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

****1

Two funerals and a bedding at the Linbury Theatre

Eleanor Knight, 1st May

Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

****1

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Andrew H. King

Following training as a singer and conductor, Andrew is now completing a doctoral thesis on the life and songs of Sir Granville Bantock. Interests include English and American music, with an emphasis on opera, choral music and song. Andrew has been published in MUSO, Early Music, and by BBC Radio 3 and the BBC Proms.