Sasha Waltz and guests' Impromptus

By Jaime Robles, 26 October 2014

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“There is much in what Waltz offers that is architectural in quality.”

Reviewed at UC Berkeley, Zellerbach Hall, Berkeley on 24 October 2014

Impromptus (Sasha Waltz)

Cristina Marton, Piano

Ruth Sandhoff, Mezzo-soprano

Back to modernity: Sasha Waltz’s Sacre

Katja Vaghi, 27th June

Fil rouge modernity for Sasha Waltz & Guests triple bill Sacre at the Haus der Berliner Festspiele.

****1

Sasha Waltz and Guests' Rauschen premieres at the Volksbühne

Katja Vaghi, 7th March

Only a couple of months after the reprise of Körper and Kreatur, Rauschen, Sasha Waltz' & Guests' new marathon of images, talks of robots, confessions of violence and archaic tribes.

****1

Sasha Waltz’s Kreatur at the Radialsystem

Katja Vaghi, 19th December

After a long break from creations solely for dance, Sasha Waltz’s Kreatur is a step into a new aesthetic direction presenting the body as a living unit of microcells and anatomical fragments at the Radialsystem

****1

No body left behind: Sasha Waltz & Guest and Hans Peter Kuhn Körper

Katja Vaghi, 6th December

A mesmerising catalogue of the body’s uses and abuses in our society, Sasha Waltz & Guest presents Körper an old-time favourite at the Haus der Berliner Festspiele.

*****

Celebrating 25 years of creative vortex

Katja Vaghi, 7th April

Anniversaries are best celebrated with friends: Sasha Waltz & Guests’ “dialogue – wirbel: improvisationen” is a magical celebration of 25 years of Waltz’ unique universe at the Radialsystem in Berlin

****1

Körper, an architectural dance

Graham Watts, 1st March

Not for anyone seeking an evening of entertaining dance theatre – dance is seldom used but when it comes, it is to great effect – but it is certainly a challenging treatise on our perceptions of body (and also gender) norms

***11

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Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.

Sasha Waltz & Guests re-envision Schubert's Impromptus