Dance me to the end of love

By Emily Brown, 04 October 2015

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“exquisite movement style and a lot of promise”

Reviewed at Swindon dance, Swindon on 2 October 2015

Without Stars (James Cousins)

There We Have Been (James Cousins)

James Cousins Company

Ballet Nights: a diverse, delicious and dynamic programme

Deborah Weiss, 29th June

Ballet Nights is getting better and better. This was a truly diverse programme with something for everyone.

****1

Ballet Nights: Ministry of Sound opens its doors to new horizons

Deborah Weiss, 31st May

“Ballet Nights: New Voices” proves a hit in an unlikely venue in Ministry of Sound. Watch this space!

****1

Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity

Maggie Foyer, 25th May

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

****1

Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet

Deborah Weiss, 23rd May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells

Jonathan Gray, 19th May

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

***11

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Emily Brown

Emily is a freelance dancer based in Brighton. She performed with Mapdance Company 2012, and has recently created and performed solo work. As a dancer and musician, Emily enjoys innovative work that combines the two art forms. She is a keen dance writer, her blog can be found here.

Dance me to the end of love: James Cousins double bill