A concert celebrating the 250th anniversary of the USA saw Liverpool audiences treated to a sumptuous Copland as well as a symphony as well as a barn-storming performance of Gershwin and Duke Ellington, performed by Frank Dupree who was making his debut with the RLPO.
Two technical mishaps punctuate the evening, but Hilary Hahn maintains poise throughout a French programme crowned by a finely judged, deeply expressive performance of Fauré.
From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.
Prerecorded acoustic guitar, soft beats and more piano accompany video of jittery yellow circles and masses of illegible text in a concert that feels both meditative and too much to take in
Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.
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