Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.
Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.
A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.
As News Editor at Rhinegold, Katy contributes news pieces and longer features to publications including Classical Music, Music Teacher and International Piano (both digital and print editions). She writes on a freelance basis for publications including Sinfini Music and TEMPO.
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