Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.
The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.
Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.
Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.
Stanley Fefferman is Professor Emeritus at York University, Toronto. He is active in classical, new music, and jazz circles as a writer and accredited performance photographer. His work is archived on Canadian sites The Live Music Report.com, Showtimemagazine.ca, and OpusOneReview.com. His website is here.
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