The ballet’s second act, following Giselle’s death, is set in a spooky, mystical realm, precisely the kind of thing that so intrigued its 19th century audiences and made this ballet an instant classic.
Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.
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