Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.
Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.
National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.
This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.
Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.
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