Jealousy at The Print Room

By Kit Brown, 10 February 2012

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Reviewed at Print Room Theatre at the Coronet, Kensington, London on 7 February 2012

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

A triumphant Romeo and Juliet from Philadelphia Ballet

Leigh Donlan, 30th April

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

****1

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

National Ballet of Japan’s Raymonda is a feast of excellent dancing

Naomi Mori, 25th April

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

*****

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

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Kit Brown

Kit, originally hailing from Northampton, now lives in London where he trains at the London Contemporary Dance School. With experience and interest in both Ballet and Contemporary Dance his main interests lie on the contemporary side of the art form.