Daniel Harding, Joshua Bell, and the New York Philharmonic's Russian evening

By Zerbinetta, 11 December 2011

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Reviewed at Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City on 8 December 2011

Knussen, Flourish with Fireworks, Op.22

Tchaikovsky, Violin Concerto in D major, Op.35

Stravinsky, Le Sacre du printemps (The Rite of Spring)

New York Philharmonic

Daniel Harding, Conductor

Joshua Bell, Violin

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Thomas Adès and Yuja Wang offer contemporary works at the NY Phil

Sam Jacobson, 23rd January

Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.

****1

Tradition and modernity: Bronfman and Zhang shine in New York

Susan Stempleski, 15th January

Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.

****1

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Zerbinetta

Zerbinetta is a music educator in the New York area with a background in music performance, theater studies, and history. She is particularly interested in Wagner, Baroque music, and, of course, Richard Strauss.