Julia Fischer ends her London Philharmonic Orchestra spring residency with Elgar's Violin Concerto and a chamber encore which sees Jurowski turn to the piano.
Julia Fischer's final concert in her series with LPO exploring Mozart's violin concertos tackled Nos 1 & 2, thoughtfully balanced with Tchaikovsky's gleaming Serenade for Strings.
Can two concertos in one concert be too much of a good thing? Not when Julia Fischer plays Mozart. Thomas Søndergård and the LPO use Richard Strauss as a perfect foil.
Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.