Bachtrack logo
What's on
All eventsConcertsOperaDanceKids eventsMasterclassesCompetitionsFestivals
Reviews
All reviewsConcert reviewsOpera reviewsDance reviews
Articles
All articlesFeaturesInterviewsOpinionPlaylists
News
Video
Video homeAll videoStreamed eventsConcertsOperaDanceKids eventsMasterclassesPublishers
Site
About usContact usLink to usConditions of useCookiesPrivacy
Young artists
Travel
EventsReviewsArticlesVideo

Hiphop meets ballet in Narnia: the Lion, the Witch and the Wardrobe

By Isabella Zijp, 11 May 2015
Loading, please wait...
See full listing
“fascinating contemporary visuals give this fantasy a modern look and feel”
Reviewed at Dutch National Opera and Ballet, Amsterdam on 8 May 2015
Programme
GRIMM
Performers
ISH
Dutch National Ballet
More Dance reviews
Return to the Forest is a magical experience at Sadler’s Wells East
Maggie Foyer, 28th May
Gregory Maqoma’s immersive Return to the Forest delighted a captivated audience at Sadler’s Wells East with a superlative creative team and skilful dancing.
*****
NDT2 I dreamt, it was: a dynamic double bill
Mark Vicente, 28th May
Superbly balanced double bill comprising Kill Your Darlings and SAABA which highlighted the talents of the young dancers of Nederlands Dans Theater 2.
****1
Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity
Maggie Foyer, 25th May
Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.
****1
Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet
Deborah Weiss, 23rd May
Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.
****1
At NYCB, Fairchild bids adieu in her final performances of Coppélia
Leigh Donlan, 22nd May
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.
*****
Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells
Jonathan Gray, 19th May
A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.
***11
More reviews...
Read reviews of
Dutch National BalletDutch National Ballet's Junior CompanyGRIMMRobin Rimbaud
Related articles
Loading image...
New Amsterdam: a walk around the Muziekgebouw aan ’t IJ
Loading image...
A struggle for harmony: Beethoven’s Fidelio at Dutch National Opera
Loading image...
Inside the mind of Peter Grimes: Issachah Savage
La Liberté? Focus on freedom in Dutch National Opera’s new season
More by Isabella Zijp
Celebrating the 5th anniversary of the Dutch National Ballet Junior Company
The Bolshoi dances La Sylphide with a Russian touch
New and exciting collaborations in Dutch Doubles by the Dutch National Ballet
Isabelle Beernaert's Tabula Rasa
Isabella Zijp
Isabella Zijp
Isabella Zijp is a freelance dance writer and critic writing regularly for Bachtrack and other dance platforms. She shares her passion for ballet through writing, giving guided tours and conducting short presentations. In daily life she works as an editor and online marketeer while also writing about her other passion: travelling.