Kate Weare: 10 years of choreography

By Rachel Rizzuto, 23 February 2015

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“Unabashedly sensual, with straddled partnering and Afternoon of a Faun-esque moments.”

Reviewed at BAM Fisher: Fishman Space, Brooklyn on 20 February 2015

Kate Weare Company

Return to the Forest is a magical experience at Sadler’s Wells East

Maggie Foyer, 28th May

Gregory Maqoma’s immersive Return to the Forest delighted a captivated audience at Sadler’s Wells East with a superlative creative team and skilful dancing.

*****

NDT2 I dreamt, it was: a dynamic double bill

Mark Vicente, 28th May

Superbly balanced double bill comprising Kill Your Darlings and SAABA which highlighted the talents of the young dancers of Nederlands Dans Theater 2.

****1

Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity

Maggie Foyer, 25th May

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

****1

Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet

Deborah Weiss, 23rd May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells

Jonathan Gray, 19th May

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

***11

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Rachel Rizzuto

Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.

Kate Weare at BAM: A 10-Year Retrospective