“Paganini on acid” and more from Kazuhito Yamane's Tokyo recital

By Nahoko Gotoh, 19 March 2021

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“Yamane chose a balanced programme... but his decision to go totally solo was a brave one”

Reviewed at Tokyo Opera City Recital Hall, Tokyo on 16 March 2021

Berio, Sequenza VIII for solo violin

Bach, Violin partita no. 2 in D minor, BWV1004

Widmann, Etude no. 3, for solo violin

Biber, Rosary Sonatas: Passacaglia

Bartók, Sonata for Solo Violin, BB 124, Sz 117

Kazuhito Yamane, Violin

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Mozart and Salieri under the spotlight in Graf’s Singapore farewell

Chang Tou Liang, 21st May

Mozart is pitted against his ”fatal rival" Salieri in Hans Graf's farewell concert as Music Director of the Singapore Symphony Orchestra.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

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Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.