“Paganini on acid” and more from Kazuhito Yamane's Tokyo recital

By Nahoko Gotoh, 19 March 2021

Loading, please wait...

See full listing

“Yamane chose a balanced programme... but his decision to go totally solo was a brave one”

Reviewed at Tokyo Opera City Recital Hall, Tokyo on 16 March 2021

Berio, Sequenza VIII for solo violin

Bach, Violin partita no. 2 in D minor, BWV1004

Widmann, Etude no. 3, for solo violin

Biber, Rosary Sonatas: Passacaglia

Bartók, Sonata for Solo Violin, BB 124, Sz 117

Kazuhito Yamane, Violin

Anna Geniushene impresses Singapore in early Chopin and Brahms

Chang Tou Liang, 14th June

Anna Geniushene makes a welcome Singapore return, demonstrating that knows exactly what she is all about.

****1

Lise Davidsen's exquisite Schubert Lieder at the Aldeburgh Festival

Eleanor Knight, 13th June

The Norwegian soprano impresses in a Lieder programme that proves the highlight of the Aldeburgh Festival’s opening weekend.

*****

Andrey Boreyko and Maximilian Hornung make Sydney Symphony debuts

Zoltán Szabó, 12th June

An unusual combination of 20th-century Russian masterworks herald debut appearances by both conductor and soloist in Sydney.

****1

Branca’s Hallucination City: 100 electric guitars at Lincoln Center

Kurt Gottschalk, 12th June

The plugged-in six-string is the sound of New York City and Branca’s Symphony no. 13 (Hallucination City) for 100 guitars and drums is revived at Lincoln Center.

*****

Beethoven 9 ends the RSNO’s season with blockbuster flair

Simon Thompson, 12th June

The wider RSNO family give their all in a blockbuster Beethoven Ninth Symphony to end their season.

*****

Sir Simon Rattle and the OAE make Berlioz sound radically new

Andrew Larkin, 11th June

Simon Rattle and the Orchestra of the Age of Enlightenment deliver a revelatory all-Berlioz programme, crowned by a sensational Symphonie Fantastique of rare clarity, colour and imagination.

*****

More reviews...

Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.