The King's Favour: Noriko Amano and Shusaku Takeachi

By Rosemary Carlton-Willis, 18 April 2014

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Reviewed at Concertgebouw: Recital Hall, Amsterdam on 16 April 2014

Works by Champion de Chambonnières

Works by Lebegue

D'Anglebert, Tombeau de M de Chambonnières

Works by Jacquet de la Guerre

Bach, Partita no. 4 in D major, BWV828

Noriko Amano, Harpsichord

Shusaku Takeuchi, Dancer

A special relationship renewed: Leonard Slatkin returns to Prague

Frank Kuznik, 16th April

Leonard Slatkin returns to the Prague Symphony Orchestra with one of his own pieces, a Schubert tribute that steals the show.

****1

Cummings and the AAM win ‘Leipzig's Got Talent’

Nick Boston, 16th April

The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.

*****

Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

****1

Kinan Azmeh offers a sampling of delights with St Luke’s

No’a L. bat Miri, 15th April

As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

****1

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Tharaud and Queyras celebrate 30 years together in Paris

David Karlin, 14th April

Crisp and elegant cello and piano playing is more successful in French and early repertoire than in Brahms.

****1

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Rosemary Carlton-Willis

Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.