International Contemporary Ensemble at Kings Place

By Paul Kilbey, 29 April 2013

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Reviewed at Kings Place: Hall Two, London on 21 April 2013

Fujikura, Glacier

Lara, Livro de sonhos I, for clarinet and piano

Carter, 90+

Carter, Esprit Rude/Esprit Doux

Fujikura, Returning

Lucier, Almost New York

Fujikura, Rubicon

Zorn, The Tempest

International Contemporary Ensemble

Claire Chase, Flute

Joshua Rubin, Clarinet

Jacob Greenberg, Piano

Mark Sanders, Drums

Wordless stories take root in ICE‘s Hannah Kendall portrait concert

Kurt Gottschalk, 23rd April

The International Contemporary Ensemble performs a program of Hannah Kendall at Columbia University’s Miller Theatre.

****1

Julia Bullock in Meditations for Joséphine at Adelaide Festival

Sandra Bowdler, 3rd March

A challenging depiction of Joséphine Baker brilliantly performed by Julia Bullock under the direction of Peter Sellars at the Adelaide Festival.

****1

ICE plays Jennie C Jones at the Metropolitan Museum

Kurt Gottschalk, 5th October

The Met Museum is currently home to three large sculptures by multidisciplinary artist Jennie C Jones, whose graphic scores are performed by the International Contemporary Ensemble.

****1

ICE shows a new and exciting side of Dai Fujikura at Miller Theatre

Kurt Gottschalk, 5th March

Building on 15 years of collaboration with the ensemble, Gilded Wings (for two clarinets and strings) revealed a new maturity in Fujikura's always enjoyable music.

*****

Jörg Widmann's somber humor at Carnegie Hall

Kurt Gottschalk, 28th January

In fragments and miniatures, the ensemble pieces were most satisfying, allowing Widmann not to build arguments but define subjects by contrast, showing a quick wit and a flair for suspense.

*****

Kopernikus revival finds inspiration – and cliché – in the afterlife

Kurt Gottschalk, 15th May

Composer Claude Vivier approaches the unknowable with a text delivered by a septet of vocalists in a language of his own invention. But the new production adds overly literal video, trading abstraction for the obvious.

***11

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Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.