Ton Koopman’s Elbphilharmonie debut brings warmth, wit and stylistic brilliance to Bach’s festive cantatas, in a radiant Early Music season finale that balances ceremonial splendour with vivid, human-scale musicianship.
At Suntory Hall, Ton Koopman and the NHK Symphony Orchestra bring elegance and exuberance to an all-Mozart programme including a flute concerto featuring its principal flautist.
Ton Koopman's distinctively lively tempi, coupled with a contagious delight to be making music, has a fairly magnetic effect when conducting Bach's Mass in B minor.
Dutch keyboardist and conductor Ton Koopman this weekend completed his third and final season as artist-in-residence with The Cleveland Orchestra, leading an all-Handel program that also featured the Cleveland Orchestra Chamber Chorus. It was a musically satisfying program that showed the versatility of both orchestra and chorus.
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.
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