Bayerisches Staatsballett opens HK Arts Festival

By Carla Escoda, 18 February 2017

Loading, please wait...

See full listing

“In the end, aristocrats and lowly temple dancers all traverse the same path”

Reviewed at Hong Kong Cultural Centre: Grand Theatre, Hong Kong on 16 February 2017

La Bayadère (Marius Petipa, Patrice Bart)

Bavarian State Ballet

Michael Schmidtsdorff, Conductor

Igor Zelensky, Director

Tomio Mohri, Set Designer, Costume Designer

Osiel Gouneo, Dancer

Ksenia Ryzhkova, Dancer

Ivy Amista, Dancer

National Ballet of Japan’s Raymonda is a feast of excellent dancing

Naomi Mori, 25th April

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

*****

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

Natalia Makarova's La Bayadère: a night to remember in Oslo

Vikki Jane Vile, 17th April

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

****1

José Martínez unveils his latest Don Quichotte in Palermo

Vito Lentini, 29th March

José Martínez has envisioned a Don Quichotte that recalls the original 19th century choreography while also acknowledging some of the notable 20th century versions and it's splendid looking.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

More reviews...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

Hong Kong Arts Festival Opens with Bayerisches Staatsballett’s Eye-Catching Bayadère