Lammermuir Festival: Fauré Requiem with Northern Sinfonia and NYCOS

By Alan Coady, 25 September 2012

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Reviewed at St Mary's Parish Church, Haddington on 23 September 2012

Ibert, Hommage à Mozart

Debussy, Danses sacrée et profane

Fauré, Pelléas et Mélisande, Op.80

Fauré, Requiem, Op.48

Royal Northern Sinfonia

National Youth Choir of Scotland

Catriona Hewitson, Soprano

Paul Grant, Baritone

Donald Feist, Baritone

Bradley Creswick, Director

Christopher Bell, Conductor

Patriotic angst with the Royal Northern Sinfonia and Thomas Zehetmair

Nick Butters, 24th April

Patriotic Sibelius and early Mendelssohn are served up at the Glasshouse in Gateshead.

***11

A new light on Mendelssohn at the Glasshouse

Nick Butters, 6th March

Nil Venditti arrives like a small, joyful bomb at The Glasshouse and lights up a familiar Mendelssohn symphony with new insights.

****1

Sir Bryn Terfel charms Glasshouse audience in reimagined Schubert

Nick Butters, 21st November

Terfel’s charismatic account of Schubert songs orchestrated by a variety of composers, Sofia Gubaidulina’s meditation on his Impromtu and the composer’s own longest symphony make a varied and rewarding evening at The Glasshouse, Gateshead.

****1

Ticket to ride: thrilling, moving witty Berio at the Glasshouse

Nick Butters, 11th October

Sophia Burgos and members of Royal Northern Sinfonia charm, amuse and astonish in a selection of Luciano Berio’s works at the Glasshouse.

****1

Hymn of Praise: thrilling Mendelssohn at the Glasshouse

Nick Butters, 26th July

As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms.

****1

Fire and ice: Víkingur Ólafsson performs at the Glasshouse

Nick Butters, 6th February

A Finnish soundscape, fine detail in Bartók and deep understanding in Beethoven from the Royal Northern Sinfonia with Dinis Sousa and Víkingur Ólafsson.

*****

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Alan Coady

Alan has taught classical guitar in East Lothian schools since 1982. A graduate in Music of the then Huddersfield Polytechnic, he has a soft spot for the contemporary. He also writes a Musical Blog, where the special interest is the intersection of music/language/science.