The Secret Slowness of Movement: an installation

By Katja Vaghi, 16 October 2016

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“I felt alien trying (unsuccessfully) to settle in.”

Reviewed at David Roberts Art Gallery, London on 14 October 2016

The Secret Slowness of Movement (Laura Dannequin)

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Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

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Septime Webre’s dazzling, maximalist Great Gatsby for the Kansas City Ballet is instantly engaging.

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Contemporary escapism at New York City Ballet

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A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

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Parsons Dance brings the fun to modern at the Joyce Theater

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Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

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Katja Vaghi

With a background in Dance Studies, Literature and Linguistics (MA English Studies from Zurich University and PhD in dance philosophy from the University of Roehampton in London) and a formation as a modern dancer (Ballet Arts, NYC), Katja is a freelance dancer, choreographer, dance researcher and dramaturge currently living in Berlin.

The Secret Slowness of Movement (An Invitation)