Strauss Celebration in Leipzig

By Mark Pullinger, 12 June 2014

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“the dark-hued palette of its double basses and cellos is full of chocolate and mahogany tints”

Reviewed at Gewandhaus: Großer Saal, Leipzig on 11 June 2014

Strauss R., Don Quixote, Op.35

Strauss R., Das Rosenband, Op.36 no.1

Strauss R., Freundliche Vision, Op.48 no.1

Strauss R., Ruhe, meine Seele, Op.27 no.1

Strauss R., Morgen! Op.27 no.4

Strauss R., Hymnus, Op.33 no.3

Strauss R., Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op.28

Leipzig Gewandhaus Orchestra

Riccardo Chailly, Conductor

Matthias Goerne, Baritone

Vincent Aucante, Viola

Jürnjakob Timm, Cello

Isabelle Faust shines, Nelsons and the Gewandhaus disappoint

David Karlin, 26th August

The German violinist gives us plenty of Czech brio in Dvořák; conductor and orchestra display many good qualities but fail to thrill.

**111

Lady Macbeth of Mtsensk at Oper Leipzig

Mark Pullinger, 25th May

Two notable debuts dominate Oper Leipzig's notable Lady Macbeth revival: Kristine Opolais as Katerina and Andris Nelsons in the pit.

****1

Total Shostakovich in Leipzig

Mark Pullinger, 24th May

The combined forces of the Gewandhaus and Boston Symphony unite under Andris Nelsons for a searing Leningrad Symphony, while the Quatuor Danel tackles the string quartets.

*****

Star conductor: Blomstedt returns to the Leipzig Gewandhaus

Zenaida des Aubris, 13th November

Herbert Blomstedt conducts Schubert and Berwald... and picks up a medal on his return to the Leipzig Gewandhaus.

*****

Spellbinding Parsifal caps Oper Leipzig's massive Wagner 22 Festival

Ako Imamura, 14th July

Ulf Schirmer bows out as General Music Director as the last of Wagner's 13 operas completes a successful Festival Wagner 22 in Leipzig.

****1

Sublime Strauss from Nelsons and the Gewandhausorchester

Dominic Lowe, 9th May

A visit to London from Nelsons is always an occasion. The first of two programmes dedicated to Strauss demonstrated why the Gewandhausorchester Leipzig is among the best in the world.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

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