A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.
Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.
Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.
17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.
Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.