A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.
Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.
Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.
17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.
Imogen graduated with distinction in Contemporary Curating from Manchester School of Art, taking a particular interest in sound art. She read History of Art and Music at the University of Glasgow, receiving a prize for excellence in Performance, and enjoys a wide range of arts. She began studying voice with Patricia MacMahon in 2012, and covered 'Eve' in Scottish Opera Connect’s 2015 production of Dove’s The Walk from the Garden. In recent years she has studied with Susan Roper and Alison McGillivray, sung and performed on Baroque ‘cello and viol with Glasgow and Manchester-based ensembles.
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