Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire(Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.
An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.
Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.
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