It was, very much, Kigawa’s recital – not Boulez’, not Ligeti’s. The force of personality might have gotten in the way had the flair on pianoforte not been so strong.
From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.
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