A rare opportunity to see five male ballet superstars – notably Alban Lendorf, in great form long after injury sidelined him – in an intimate theater, in work exclusively by women.
A perfect triple bill became a less perfect quadruple bill. Brilliant performances by dancers from Gibney, kNoname Artist, Paris Opera étoiles rarely seen in New York and – a rarity these days – live musicians.
The Day features music by David Lang and choreography by Lucinda Childs as former ballerina Wendy Whelan and cellist Maya Beiser perform together in this work contemplating memory, mortality, and aging.
Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.
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