Superb Lucio Silla in Vienna

By Jonathan Sutherland, 29 April 2016

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Reviewed at Theater an der Wien, Vienna on 27 April 2016

Mozart, Lucio Silla

MusikTheater an der Wien

Laurence Equilbey, Conductor

Ilse Eerens, Celia

Olga Pudova, Giunia

Chiara Skerath, Lucio Cinna

Paolo Fanale, Lucio Silla

Insula orchestra

Arnold Schoenberg Choir

Stefan Herheim’s bold Fledermaus at MusikTheater an der Wien

Chanda VanderHart, 13th October

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

****1

Miroslav Srnka’s Voice Killer premieres at MusikTheater an der Wien

Chanda VanderHart, 16th June

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

****1

Fish, frocks and farce: a Prokofiev romp in Vienna

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Damiano Michieletto directs a slick and frequently hilarious staging of Prokofiev's comic opera Betrothal in a Monastery.

***11

Grigorian and Akhmetshina dazzle in a secular Norma

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In a week where Vienna welcomes two new productions of Bellini's Norma, MusikTheater an der Wien sets a high bar with Vasily Barkhatov's staging.

****1

Freitag, der Dreizehnte celebrates Schoenberg at the Reaktor

Chanda VanderHart, 28th April

What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

****1

Not quite a premiere, not quite a success: Salieri’s Kublai Khan

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Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.

***11

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.