With marvellous cohesion, life and wit the Gabrieli Consort and Players, sponsored by State Opera of South Australia, who thrilled Adelaide audiences with their presentation of English Baroque.
It’s a long way from modern Durham to renaissance Venice, from a cold winter evening in a small northern English city to a spring morning in one of the richest and most powerful cities the world has ever seen – but Paul McCreesh’s imaginative reconstruction of a Venetian Doge’s coronation mass made the leap almost instantaneous.
22 November, St Cecilia’s day, lends itself perfectly to music by two of Britain’s greatest composers. Henry Purcell and Benjamin Britten both wrote pieces to celebrate Cecilia as patron saint of music, and Britten was inspired and enriched by Purcell’s music.
Mendelssohn’s oratorio Elijah, first performed at the Birmingham Town Hall in 1847, was enormously popular in Victorian England. In this sense, the Royal Albert Hall, the grandest of Victorian buildings, is spiritually an ideal venue for this great choral masterpiece.
Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.
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