Simon McBurney's Magic Flute makes a joyous return to ENO

By Dominic Lowe, 16 March 2019

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“Brindley Sherratt’s plush bass was on magnificent display as Sarastro”

Reviewed at The London Coliseum, London on 14 March 2019

Mozart, Die Zauberflöte (The Magic Flute)

English National Opera

Ben Gernon, Conductor

Simon McBurney, Director

Michael Levine, Set Designer

Nicky Gillibrand, Costume Designer

Ru Charlesworth, Tamino

Lucy Crowe, Pamina

Thomas Oliemans, Papageno

Brindley Sherratt, Sarastro

Julia Bauer, Queen of the Night

Eleanor Dennis, First Lady

Samantha Price, Second Lady

Katie Stevenson, Third Lady

Jonathan Lemalu, The Speaker (Der Sprecher)

Rowan Pierce, Papagena

Daniel Norman, Monostatos

David Ireland, Second Priest, Second Armoured Man

David Webb, First Priest, First Armoured Man

English National Opera Chorus

English National Opera Orchestra

Josie Daxter, Revival Director

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.