A glowing Meistersinger in Manchester

By Rohan Shotton, 11 February 2013

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Reviewed at The Bridgewater Hall, Manchester on 10 February 2013

Wagner, Die Meistersinger von Nürnberg (extracts from Acts 1 and 2)

Wagner, Die Meistersinger von Nürnberg: Act 3

The Hallé

Sir Mark Elder, Conductor

Jamie Phillips, Conductor

The Hallé Choir

The Hallé Youth Choir

RNCM Chamber Choir

Chetham's Chamber Choir

Ad Solem - University of Manchester Chamber Choir

Members of the Hallé Youth Orchestra

Members of Chetham's School of Music

Iain Paterson, Bass-baritone

Michael Weinius, Tenor

Allan Clayton, Tenor

Christopher Purves, Baritone

David Stout, Baritone

Emma Bell, Soprano

Matthew Best, Bass-baritone

Sarah Castle, Mezzo-soprano

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

****1

Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

The Hallé brings Salonen, Grieg and Sibelius to Sheffield

Phil Parker, 23rd January

Dazzling young German pianist Julius Asal and stand-in conductor Duncan Ward breathe new life into the familiar in repertoire by Grieg and Sibelius.

****1

Jeannette Sorrell and the Hallé find drama in Handel’s Messiah

Leighton Jones, 6th December

Jeanette Sorrell brings a Messiah to Manchester that adds a sense of drama, bridging the gap between oratorio and opera.

****1

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Rohan Shotton

Rohan has reviewed concerts and opera across the UK and Europe, but chiefly in Manchester, where he enjoys conducting and playing percussion and piano. He works as a hospital doctor, having studied in St Andrews and Manchester, and tweets as @RohanShotton.