Elin Pritchard a sensational Manon Lescaut at The Grange Festival

By Dominic Lowe, 28 June 2021

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“devastating flashes of self-realisation and pure misery”

Reviewed at The Grange, Alresford on 26 June 2021

Puccini, Manon Lescaut

The Grange Festival

Francesco Cilluffo, Conductor

Stephen Lawless, Director

Adrian Linford, Set Designer, Costume Designer

Elin Pritchard, Manon Lescaut

Peter Auty, Chevalier des Grieux

Nicholas Lester, Lescaut

Stephen Richardson, Geronte di Ravoir

Kamil Bien, Edmondo

Angharad Lyddon, Musician

Lynne Hockney, Movement Director

Bournemouth Symphony Orchestra

Die Fledermaus at The Grange: Cabaret meets G&S

David Karlin, 20th June

A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.

***11

The Rake's Progress at The Grange: richly entertaining

David Karlin, 23rd June

Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.

****1

L’incoronazione di Poppea vividly brought to life at the Grange

David Truslove, 7th June

Terrific music making with a light directorial touch brings mixed results to Monteverdi's 1643 masterpiece.

***11

Obsession at The Grange: The Queen of Spades

David Karlin, 23rd June

In a setting that might be The Grange itself, a production which steadily tightens its grip until a blistering finish.

*****

A stylish Così fan tutte at The Grange Festival

David Truslove, 16th June

Entertainment ideal for country house opera-goers, enhanced by some fine singing and excellent playing from the Bournemouth Symphony Orchestra.

****1

Tension accumulates in Handel’s Tamerlano at The Grange Festival

David Truslove, 10th June

Some exceptional singing intermittently enlivens Daniel Slater's production which, dramatically and emotionally, takes time to ignite.

***11

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.