The enduring artistry of Sara Baras and her company opened the London Flamenco Festival with a stunning and memorable performance from the entire cast.
Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.
Christine Holley’s long involvement in contemporary dance and flamenco includes teaching, performance and choreography – elements that permeate her work as a visual artist. Her specialist subject is Ballets Russes and its impact on visual arts, her writing on which is held in the National Library of Art at London’s V&A Museum and by other major arts organisations.
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