Russian heart from Mariss Jansons and the BavRSO

By Mark Pullinger, 12 April 2017

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“the saxophone solo was pure Russian Orthodox, smoky tone wreathing the entire woodwind section”

Reviewed at Barbican Hall, London on 11 April 2017

Prokofiev, Symphony no. 1 in D major "Classical", Op.25

Shostakovich, Symphony no. 1 in F minor, Op.10

Rachmaninov, Symphonic Dances, Op.45

Schubert, Six moments musicaux, D.780 no. 3 in F minor Allegro moderato

Dvořák, Slavonic Dance no. 15 in C major, Op.72 no.7

Mariss Jansons, Conductor

Bavarian Radio Symphony Orchestra

Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

*****

Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

*****

Rattle and the BRSO offer a glimmer of hope in epic Mahler 6

Nick Boston, 6th September

Stunning orchestral colour from the BRSO, with command and total coherency from Sir Simon Rattle in Mahler's “Tragic” Symphony.

*****

Adès and Bruckner: Rattle and his Bavarians arrive at the Proms

Roy Westbrook, 5th September

Sir Simon Rattle awards Thomas Adès a Royal Philharmonic Society medal during the first visit this summer of the BRSO to the BBC Proms.

****1

Rattle and the Bavarian RSO return to Carnegie Hall

Susan Stempleski, 3rd May

Winding up his inaugural tour with the BRSO, new Chief Conductor Sir Simon Rattle delivered a superbly performed program of Wagner, Adès and Beethoven.

****1

Sir Simon Rattle brings the BRSO to Philadelphia in Mahler 6

Cameron Kelsall, 1st May

After an eight-year absence, Rattle returned to deliver the kind of Mahler performance only he can offer: probingly intelligent and wonderfully idiosyncratic.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Russian heart: terrific performances from Mariss Jansons and the Bavarian RSO