Dark Night of the Soul: Matthias Goerne and Daniil Trifonov

By Matthew Rye, 09 June 2016

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“Goerne was at his most expressionistically intense ..., enunciating like a latter-day Wozzeck”

Reviewed at Wigmore Hall, London on 8 June 2016

Berg, Four Songs for piano and voice (Vier Lieder für eine singstimme mit klavier), Op.2

Schumann, Dichterliebe, Op.48

Wolf, 3 Michelangelo Lieder

Shostakovich, Michelangelo Suite on Verses by Buonarroti for bass and piano, Op.145

Brahms, Vier ernste Gesänge (Four Serious Songs), Op.121

Matthias Goerne, Baritone

Daniil Trifonov, Piano

Daniil Trifonov brings revelatory Russian rarities to Carnegie Hall

Sam Jacobson, 13th December

Trifonov offers a probing recital, transforming little-heard Russian works into compelling statements alongside Schumann’s impassioned First Sonata.

****1

Spectacular Orchestre National de France program at Carnegie Hall

Susan Stempleski, 9th November

Cristian Mǎcelaru elicits enthralling performances from the ONF, Daniil Trifonov blends stunning virtuosity with poetic insight in a crowd-pleasing French program.

*****

Matthias Goerne and Daniil Trifonov’s journey to the heart of Winter

Michelle Assay, 16th October

Matthias Goerne and Daniil Trifonov take their Toronto audience on a Schubertian journey to remember at Koerner Hall.

*****

Rachmaninov’s voice revealed on Tanglewood opening night

Edward Sava-Segal, 5th July

From Rachmaninov's Third Concerto to the Symphonic Dances, a programme of emotional depth and orchestral virtuosity to open this year's Tanglewood Festival.

*****

From virtuosity to poetry: Daniil Trifonov at Caramoor

Edward Sava-Segal, 27th June

Modest as ever, Daniil Trifonov offers another masterclass in how virtuosity is sublimated into poetry.

****1

Everyone's having a good time: Klaus Mäkelä and the Chicago Symphony

Graham Meyer, 2nd May

The Chicago Symphony Orchestra and its future Music Director revel in a Brahms piano concerto with ideal collaborator Daniil Trifonov and an energetic Dvořák 7.

*****

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Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).