From Mendelssohn’s intimacy to Bruckner’s monumental scale, Eschenbach’s young orchestra reveals chamber-like sensitivity and steely discipline, with Midori’s interpretation standing as the evening’s emotional and artistic highlight.
The Oxford Philharmonic offers uninspiring renditions Bach and Mendelssohn, highlighting both the strengths and weaknesses of the orchestra under the baton of Christoph Eschenbach.
Joshua Bell brings virtuosic fireworks and generous tone to works by Chausson and Vieuxtemps, while Christoph Eschenbach delivers a Brahms 1 devoid of fresh insight.
Conductor Christoph Eschenbach brings style and sophistication to a freewheeling finale to this year's festival, ending with Beethoven's Ninth Symphony.
At Berlin's Konzerthaus, Chief Conductor Christoph Eschenbach leads the premiere of Christian Mason's orchestral work An Ocean of Years and reunites with American pianist Tzimon Barto.
The darker sides of Romantic inventiveness are explored in Schumann’s neglected violin concerto and the clandestine woodland rustle of Dvořák’s G major symphony.
Ted Ayala is a writer and musicologist born and raised in Los Angeles. Aside from classical music he loves literature (especially from Latin America and Japan), learning languages, reading about history, video games from the 1980s-1990s, and cats. You can follow his blog here.
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