Paradise Regained: a heavenly evening with Aurora

By Mark Pullinger, 06 April 2019

Loading, please wait...

See full listing

“like a robust Wagnerian bass singing falsetto, Griffiths practically hugging his instrument”

Reviewed at Kings Place: Hall One, London on 5 April 2019

Elgar, Serenade for Strings in E minor, Op.20

Mozart, Piano Concerto no. 21 in C major, K467

Mazzoli, Dark with Excessive Bright (UK premiere)

Beethoven, Symphony no. 8 in F major, Op.93

Yeol Eum Son, Piano

Ben Griffiths, Double Bass

Nicholas Collon, Conductor

Aurora Orchestra

Echoes of Youth from the Aurora principals at Kings Place

Mark Valencia, 19th March

Billed under the heading ‘Echoes of Youth’, this Kings Place programme is an attractive ragbag of unlikely bedfellows.

****1

Brett Dean and Lotte Betts-Dean unlock musical memories at Kings Place

Eleanor Knight, 17th January

Father and daughter team of Brett Dean and Lotte Betts-Dean join forces for the opening concert of Kings Place’s ‘Memory Unwrapped’ season.

****1

Aurora dazzle in Edinburgh International Festival debut

Simon Thompson, 18th August

Aurora Orchestra turn Shostakovich's Fifth Symphony inside out to exhilarating effect in a dazzling performance in their Scottish debut. Abel Selaocoe’s Four Spirits, on the other hand, has surface shine but not much substance.

****1

Aurora Orchestra pulls off another dramatic performance from memory

Nick Boston, 17th August

Nicholas Collon and the Aurora Orchestra, together with Frantic Assembly, present an illuminating analysis of Shostakovich's Fifth Symphony, followed by a blistering account of the work from memory.

****1

“Earth Unwrapped” reveals mixed bag: Aurora Orchestra and BBC Singers

Eleanor Knight, 31st January

The exquisite ensemble of Aurora and BBC Singers in the intimate setting of Kings Place are reason enough to linger longer on earth.

***11

Overtaken by the night: Aurora and Donald Grant get lost on the road

Christopher Woodley, 28th September

At Kings Place Aurora Orchestra and Donald Grant fail to impress with a straggling programme of traditional arrangements, composed pieces and a world premiere.

**111

More reviews...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.