Dance@TheGrange: McGregor, Marston and young choreographers

By Sarah Kirkup, 28 June 2019

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“McGregor’s kinetic choreography barely lets up”

Reviewed at The Grange, Alresford on 26 June 2019

Outlier (Sir Wayne McGregor)

WASHA: The Burn from the Inside (Mthuthuzeli November)

Clay (Alice Topp)

Little Atlas (Alice Topp)

The Suit (Cathy Marston)

Ballet Black

Alessandra Ferri, Dancer

Lucy Carter, Lighting Designer

Rebecca Bassett-Graham, Dancer

Izzac Carroll, Dancer

Jordan James Bridge, Dancer

Jacob O'Connell, Dancer

Camille Bracher, Dancer

José Alves, Dancer

Cira Robinson, Dancer

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

McGregor’s Deepstaria explores the deepest recesses of the oceans

Graham Watts, 27th February

A visually striking and thought-provoking work requiring continual concentration to absorb.

***11

The Royal Ballet: MaddAddam is carried by sublime performances

Amanda Jennings, 14th November

The combination of spectacular backdrops and evocative film projections are visually stunning and the dancers are superb, but Wayne McGregor's MaddAddam is difficult to follow.

***11

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Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.

Dance@TheGrange presents McGregor, Marston and young choreographers