The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.
From Bernstein’s private elegy to Tchaikovsky’s tempered affirmation, the Israel Philharmonic offers an evening of reflection, discipline and quiet radiance.
After a three-years hiatus, the orchestra returns to New York, with violinist Gil Shaham playing Tchaikovsky's Violin Concerto before an assured Prokofiev Fifth Symphony.
In a work as complex and multifaceted as Mahler’s Third, plumbing the depths of the music is not a trivial task. Mehta and his orchestra shone in moments but not uniformly across the symphony.
Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.
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