A charming Merry Widow in Dublin by Lyric Opera Production

Tonight was the Dublin première of Dvořák’s opera Rusalka, and the most surprising fact about this is that it took 112 years for this enchanting opera to make its debut here. For, as tonight’s performance so aptly illustrated, Rusalka is a glorious work on so many different levels: it has hauntingly beautiful melodies, daring orchestral harmonies and an enchanting but ultimately tragic love story.

Lyric Opera Production delivers a conventional Tosca to close the opera season. 

Few 19th-century operettas exceed HMS Pinafore in style, wit and musical accomplishment; the principal candidates in English are The Mikado, and The Yeoman of the Guard, plus a few offerings by Lionel Monckton and Sidney Jones. Any foreign contender would surely be one of the champagne-soaked Viennese delicacies by the Strauss family or Carl Zeller.

Mark Ravenhill directs a brutal, bloody Salome for Regents Opera at the spiritual home of British boxing, York Hall. 

Divorced from Cavalleria rusticana, English Touring Opera's contemporary take on Leoncavallo's masterpiece ticks all the boxes.

Robert Carsen's staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.