The Merry Widow makes a perfect summer night at the operetta in Vienna

By Simon Rees, 25 June 2014

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Reviewed at Volksoper Wien, Vienna on 10 June 2014

Lehár, Die lustige Witwe (The Merry Widow)

Volksoper Wien

Marco Arturo Marelli, Director

An empty glitter bomb: Aschenbrödels Traum at the Volksoper Wien

Chanda VanderHart, 4th December

A dizzying premise from Martina Eisenreich and Axel Ranisch, loosely drawing on Johann Strauss II’s unfinished ballet Aschenbrödel, which tries to be everything, all at once.

***11

Death, interrupted: KaiserRequiem moves at the Volksoper

Chanda VanderHart, 25th January

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark.

****1

Paging Dr Freud! Iolanta and the Nutcracker at the Volksoper Wien

Mark Pullinger, 5th December

When is The Nutcracker not The Nutcracker? When's it's mashed together with Tchaikovsky's Iolanta to represent the blind princess’ inner world in a dark interpretation.

****1

Ella Milch-Sheriff’s Alma emerges as a dark triumph at the Volksoper

Chanda VanderHart, 31st October

A haunting, musically compelling impression of a woman whose life was shaped by creation, loss, and unfulfilled thirst for personal expression.

****1

Femicide! A controversial Carmen from Lotte de Beer at the Volksoper

Chanda VanderHart, 6th October

Lotte de Beer’s new retelling at the Volksoper reintroduces the element of shock into Bizet's popular opera.

****1

The subconscious at play: Lady in the Dark at the Volksoper

Chanda VanderHart, 18th December

Kurt Weill's musical, with its focus on psychoanalysis, makes its Austrian premiere in the city of Sigmund Freud.

****1

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Simon Rees

Simon Rees writes programme articles and surtitles for most British opera companies, and reviews for Opera, Opera Now, Musical Opinion, Early Music Today and a wide range of other publications. A novelist, poet and librettist, from 1989 to 2012 he was dramaturg at Welsh National Opera. He lives in Cardiff.