A thrilling performance of one of Handel's most dramatic oratorios was rapturously received at the Göttingen International Handel Festival, rising from the Covid ashes this year
Richard Jones creates forceful theatre by staging Ariodante as a tale of shaming and abuse. Andrea Marcon conducts an accomplished cast and the first-class Concerto Köln.
The sensational countertenor Franco Fagioli led an all-male cast in an extravagant staging of Vinci's Artaserse, a neglected Baroque opera, at the Royal Opera House at Versailles.
A cast of five countertenors and one tenor performing an opera by Handel contemporary Leonardo Vinci may look like a long evening to those who don’t appreciate the high male voice, but Baroque lovers hoping for a triplet and trill fest as well as some vocal drag got all they wanted in this concert version of Artaserse.
Sandra Bowdler was born and educated in Sydney, and has pursued a career as an archaeologist since graduating from the University of Sydney in 1970. She is now Emeritus Professor of Archaeology and a Senior Honorary Research Fellow at the University of Western Australia in the School of Social Sciences and the School of Music. Since attending a production of Handel’s opera Alcina at the Sydney Opera House in 1982, she has become a devotee of the works of GF Handel, and Baroque music generally. In 1996 she began writing opera reviews for online outlets, graduating to more professional sources by 2000. In 2007, she inaugurated Festival Baroque Australia in Perth, Western Australia, Australia’s first Baroque music festival. Under that banner, she curated two festivals and several concerts in Perth.
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