The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.
Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.
From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.
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