Ahilan Ratnamohan's Michael Essien, I want to play as you...

By Symone Keisha, 26 June 2014

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Reviewed at Stratford Circus, London on 24 June 2014

Michael Essien, I want to play as you (Ahilan Ratnamohan)

Tulsa Ballet at the Linbury: an unforgettable, punchy UK debut

Deborah Weiss, 13th May

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

*****

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Ivy Lin, 9th May

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

A Streetcar Named Desire: a gripping retelling at Ballett am Rhein

Vikki Jane Vile, 8th May

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

****1

The Great Gatsby at Kansas City Ballet

Hilary Stroh, 8th May

Septime Webre’s dazzling, maximalist Great Gatsby for the Kansas City Ballet is instantly engaging.

*****

Royal Danish Ballet’s Lady Macbeth: Akram Khan works his magic again

Graham Watts, 7th May

An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.

****1

The Trocks at Sadler’s Wells: uproariously entertaining

Graham Watts, 5th May

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

****1

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Symone Keisha

Symone is an undergraduate at Kingston University studying Dance with English Literature. With an interest in both subjects, she combines the two by writing reviews on dance. She has written for many platforms including One Stop Arts, London Dance and her own blog Dancetalks.

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