Dutch National Opera successfully resurrects La morte d’Orfeo

By Jenny Camilleri, 26 March 2018

Loading, please wait...

See full listing

“charging Landi’s liberal word painting with dramatic bite”

Reviewed at Muziekgebouw aan’t IJ: Main Hall, Amsterdam on 23 March 2018

Landi, La morte d'Orfeo

Dutch National Opera

Christophe Rousset, Conductor

Pierre Audi, Director

Christof Hetzer, Set Designer

Robby Duiveman, Costume Designer

Cecilia Molinari, Euridice, Nisa, Teti, Lincastro, Euretto 1

Juan Francisco Gatell, Orfeo

Emiliano Gonzalez Toro, Apolline, Ireno

Renato Dolcini, Fileno

Kacper Szelążek, Mercurio, Bacco

Salvo Vitale, Caronte, Il furore

Alexander Miminoshvili, Giove, L'ebro

Gaia Petrone, Aurora, Fosforo

Magdalena Pluta, Calliope, Euretto 3

Rosina Fabius, Euretto 2

Les Talens Lyriques

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

Semele at Dutch National Opera: myth, desire and fantasy

Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1

More reviews...

Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.