The Tokyo String Quartet's farewell tour in Toronto is crowned by Bartók

The Tokyo String Quartet played a kind of “meta-goodbye” concert this Saturday evening at 92Y. The performance, their last at this venue before the quartet is disbanded, featured three great composers’ own farewells, the final works written for string chamber ensembles by Schubert, Haydn, and Bartók.

Bartók used folk music to find his own voice as a composer of classical music. He roamed the Balkans, north Africa and the Middle East to rediscover models of what was really music to his ears, much in the same spirit as Picasso and others searched out models of primitive representations to refresh what we see.

Donald Nally’s much vaunted chamber choir The Crossing give a program of three New York premieres at Zankel Hall. 

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding. 

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

At 92NY, the JACK Quartet performs four new works developed in their JACK Studio, including a commissioned premiere from the electrifying Tristan Perich.