Oratorio for the end of the world: Teodor Currentzis and Mahler Chamber Orchestra at Musikfest Berlin

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

Sir George Benjamin and Martin Crimp’s fourth opera shares the best qualities of their previous work but is an inspiring, breathtaking fable.

No ordinary evening at the Concertgebouw, where Lang Lang’s partnership with Andris Nelsons is the perfect vehicle to examine the complexities and contrasts found in the music of Beethoven.

Dame Mitsuko Uchida demonstrates why she is one of today's greatest Mozartians, while her MCO players give a virtuoso account of a work steeped in the Viennese tradition.

A cabinet of curiosities: Christoph Koncz has an unconventional take on two Viennese symphonies, yet contributes well to an exemplary performance of Britten's most famous song cycle.